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Stone, in Rhythm.
In some pieces, balance is achieved through symmetry. In others, its rhythm, a quiet repetition, like nature's own way of organizing chaos.
The RIBL Collection is built on this idea. Raw, rounded, and intuitively arranged, each table finds harmony through its form. There is no clear front or back, only weight and counterweight, curve and line. The rhythm of the ribbed legs creates movement without motion, giving the stone a sculptural softness that feels both grounded and alive.
Form That Moves Without Motion
The legs are the story.
Three pillars, each carved with their own rhythm, hold the surface above, not symmetrically, but in balance. There’s a quiet tension in the way they come together, almost as if they were arranged by hand, not measurement.
Each shape is rounded, softened, almost sculpted by water over time and yet the presence is strong. The visual weight shifts depending on where you stand. From one angle, it feels grounded. From another, unexpectedly light.
There is no single focal point. Instead, the table draws you around it, inviting a slower gaze, a second look. It’s not ornamental, but intentional. Not precise, but poised.
Two Pieces. One Language.
The Ribl Collection consists of two pieces:
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A console table, built to frame a hallway, entry, or art wall.
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A side table, compact yet commanding, ideal for sculptural styling.
Together, they explore the same vocabulary, curved legs, polished tops, grounding material, but offer different ways to bring the rhythm of stone into a space.
Both are designed in-house at Koa, built not from trend, but from touch. Made to live with. Made to last.
Soft curves cut from a hard material. A balance of weight and grace. A moment of rhythm in an otherwise still room.
It doesn’t shout. It settles.
And in doing so, it becomes part of the home, not as an object, but as a presence.
